I had a lovely time at the Stories of Influence writers’ festival at Lake Tyers in Gippsland, Victoria. With indigenous and non-indigenous participants, the role of story and art in all sorts of cultures dominated the weekend’s activities.
After delivering a worksop and talk on memory methods, I was part of a panel about writing. One of the highlights of the festival was meeting Harry Saddler, sitting next to me on the panel.
Harry is the author of the fascinating book, The Eastern Curlew. This book and meeting Harry gave me a terrific opportunity to add another layer to my bird field guide, which I have encoded to a lukasa.
The same approach works for layering any new knowledge. You need the memory structure (memory palace, songline, memory board …) in place first. A lukasa is a memory board adapted from those used by the African Luba people. It functions just like a miniature memory palace.
I use this lukasa as a field guide to the birds of Victoria which I use all the time when out birding. I don’t need it with me – it is all in memory. I first encoded all the bird families and species. Now I am adding all sorts of information about each species. Layer upon layer.
The Eastern Curlew is in the Sandpiper family, Scolopacidae. My story for the 25 species is about a band playing at a beach party. The Sand Pipers. I remember the family name by imaging that you have to pass under a pole (the old limbo dance) to get in. The tell you to sco-low-[to]-pass.
The family is associated with the red bead on the bottom, to the right hand end of the lukasa. The Eastern Curlew is the 9th species – all the curlews are curly haired attendees at the party.
I then add details about the Eastern Curlew to the character in the story. The fantasy and the real facts just make it memorable. My brain never confuses the two. It does play with the images, though!
See that Eastern Curlew feather that Harry is holding? He showed me the wear on the edges. That feather flew with the curlew for over 10,000 km. They are the most extraordinary migrators – from here in southern Australia to Russia and suchlike. Incredible.
The migration behaviour has just fleshed out my Eastern Curlew character at the beach party. He now flies in from a great distance to get to the party – as do many of the other species. I am slowly adding details of the migrations to the family members – those who stay here to breed (some wild things go on at this beach party) and those who travel great distances to do the same thing.
The more that you play with the knowledge in your memory palaces, the more beautiful, imaginative, fun and informative they become.
2 comments
Hello Lynne!
In Memory Craft, you give a detailed example of how you memorized the order of Brazil.. when you learn something new about Brazil, how do you go about adding that information to the hooks you’ve already established? Can you give an example?
Author
Hi Todd,
Apologies for the delay. It’s been a sad week with the death of someone close to me, so lots of things didn’t happen. But I am back on track now! I must find out why the site has stopped sending me notifications.
I have a location for Brazil. It is out the window of my studio. I have the Carnival going on as my prompt. I wanted to add the capital. One of the dancers emerges and wags his hands at me to say, this is in Rio. The capital is Brazilia. That conversation, which I acted out once, added the capital and that the Carnival is in Rio. I just keep adding to the stories.
It is all good fun!
Lynne