Archaeoastronomy and Gobekli Tepe

 Archaeoastronomy is one of my great interests. I am honoured to have been elected as a full member to ISAAC, the International Society for Archaeoastronomy and Astronomy in Culture. Consequently I was fascinated to read of new ideas about one of the most fascinating sites in the world, Gobekli Tepe in Turkey. But new ideas need checking, as one of the archaeologists I trust most, Jens Nortoff,  points out below. As someone who has put a new idea about archaeological interpretation knows, this will all take time and debate – as it should be.

News of a new theory abut Gobekli Tepe in Turkey hit the news this week. It says, in part:

Ancient stone carvings confirm that a comet struck the Earth around 11,000BC, a devastating event which wiped out woolly mammoths and sparked the rise of civilisations.

Experts at the University of Edinburgh analysed mysterious symbols carved onto stone pillars at Gobekli Tepe in southern Turkey, to find out if they could be linked to constellations.
(Click on the image or here for the full story.)

The full academic article can be found here: Martin B. Sweatman and Dimitrios Tsikritsis, Deconding Gobekli Tepe with archaeoastronomy: what does the fox say? 

Odd things about this report concerned me, but I am not in a position to judge without a great deal further investigation. So I went straight to the authority I respect most on Golbekli Tepe, Jens Nortoff at The Tepe Telegrams. These reports are from the archaeologists in the trenches.

I will be blogging more from The Tepe Telegrams as there are quite a few reports there which I feel are really important ideas. But meanwhile, it is important to note some of Jens’s comments in his post. He writes:

A selection of the carved reliefs found on many of Göbekli Tepe’s T-shaped pillars is linked to and interpreted as depiction of actual stellar constellations. In particular Pillar 43, which is indeed an outstanding (but actually not exceptional) example of the site’s  rich and complex iconography, is interpreted as record of a meteor shower and collision – with quite serious consequences for life on earth 13,000 – 12,000 years ago (this whole ‘Younger Dryas Impact’ hypothesis [external link] actually is disputed itself [external link], so making Göbekli Tepe a ‘smoking gun’ in this argument should absolutely ask for a closer look).

(Click in the image or here for the full report.)

This is the stunning pillar in question from The Tepe Telegrams post. Anyone familiar with my work will now know why I find Gobekli Tepe so intriguing.

“Pillar 43 in Göbekli Tepe’s Enclosure D. (Photo: K. Schmidt, DAI)

Jens concludes: “So, with all due respect for the work and effort the Edinburgh colleagues obviously put into their research and this publication, there still are – at least from our perspective as excavators of this important site – some points worth a more thorough discussion.”

The view of the archaeologists on sites

As someone who has published a new theory for the purpose of sites such as Gobekli Tepe, Stonehenge and many others, it may be assumed that I would automatically be attracted to, and supportive of, other radical new ideas. I am. But I am also hugely respectful of the views of the archaeologists who know the details of what has actually been found there.

Consequently, it was hugely important for me to ensure that my theory was consistent with all the archaeology reported from the field. It was then an imperative to present the ideas to relevant archaeologists, as I did in the UK in February and listen to their concerns. I was delighted that there was no objection to the theory. It is now a matter for debate of the details. That will refine the theory. Getting into the academic debate is the first step.

For that reason, I congratulate Dr Martin Sweatman and the Edinburgh researchers for their work and for raising awareness of this incredible site.

Media descriptions of my work

I am finally home from the US and UK after travelling there for the publication of the Pegasus Books and Atlantic Books editions of The Memory Code respectively. I have a great deal to write as a result of the trip. All in good time!

It is always intriguing to read the way other writers interpret my work. Two of the longer media articles are worth referring to here.

Jim Rountree‘s article More Than Memory appeared in Australia’s most respected science magazine, Cosmos, in February. It is now available online. Not only does Rountree encapsulate my ideas in a more succinct way than I have ever managed to do, he also writes it beautifully as well. I am very flattered to have such a quality article about my ideas in such a quality magazine. (Click here or on image to go to the article).

The second was a long interview with Memory Athelete, Daniel Kilov. It appeared in the January / February edition of Australian Mensa magazine, TableAus and is now online at Daniel’s blog, Mental Athlete. (Click here or on image to go to the article).

 

 

 

The Memory Code – Pegasus Books

cover-tmcI am delighted that the Pegasus Books edition of The Memory Code is now available for pre-order from Amazon.com. Pegasus is publishing for North America (US and Canada) while Atlantic Books are publishing for the UK and Europe. Both are using the same cover and publishing initially in hardback. This is so exciting!

These editions follow the Australian edition from Allen & Unwin.

The blurb from the book says:

The discovery of a powerful memory technique used by our Neolithic ancestors in their monumental memory places―and how we can use their secrets to train our own minds

In ancient, pre-literate cultures across the globe, tribal elders had encyclopedic memories. They could name all the animals and plants across a landscape, identify the stars in the sky, and recite the history of their people. Yet today, most of us struggle to memorize more than a short poem.

Using traditional Aboriginal Australian songlines as a starting point, Dr. Lynne Kelly has since identified the powerful memory technique used by our ancestors and indigenous people around the world. In turn, she has then discovered that this ancient memory technique is the secret purpose behind the great prehistoric monuments like Stonehenge, which have puzzled archaeologists for so long.

The henges across northern Europe, the elaborate stone houses of New Mexico, huge animal shapes in Peru, the statues of Easter Island―these all serve as the most effective memory system ever invented by humans. They allowed people in non-literate cultures to memorize the vast amounts of information they needed to survive. But how?

For the first time, Dr. Kelly unlocks the secret of these monuments and their uses as “memory places” in her fascinating book. Additionally, The Memory Code also explains how we can use this ancient mnemonic technique to train our minds in the tradition of our forbearers.

Castlerigg Stone Circle, Cumbria

I was fascinated by an email I received from Susannah Walker in the UK a few days ago. But first, a little background. For many years, a small photo has sat on my desk. It was taken by my late mother, and has the name of the circle in her handwriting on the back. But I had done no more than acknowledge it as one of the thousand or so stone circles in Britain.

castlerigg-front castlerigg-back

Susannah wrote: I have been fascinated to hear about your book, The Memory Code and am very much looking forward to reading it when I go on holiday in a few weeks time.

Even reading the reviews, however, made me think of Castlerigg Stone Circle in Cumbria. When I visited it last year, I noticed that the shapes of each of the stones mirrored the silhouette of the hills behind it, making the circle a representation of the wider landscape around. It clearly seemed to be deliberate, and your theory seems to be the perfect answer as to why. (As this article shows, I’m not the first person to have spotted this!).

castlerigg-aerial
Castlerigg Stone Circle

Click on the image above or here to go to the Visit Cumbria site on Castlerigg.

Susannah’s observation of the way the stones reflect the surrounding landscape is one of the Ten Indicators I use to assess whether a monument was possibly used primarily as a memory space. The descriptions online also note many of the other Indicators: astronomical alignments, a sequence of memory locations (the stones), and even the public and restricted spaces with the rectangular ‘sanctuary’ within the circle. Being Neolithic, there is no sign of a wealthy elite, and a great deal of effort has been invested for no obvious utilitarian purpose.

I love Castlerigg. Thank you, Susannah for making me take more notice of the precious photograph which has been on the desk all this time.

Monuments for memory – the Ten Indicators

Stonehenge

My theory about the purpose of many ancient monuments argues that they were built primarily as memory spaces. Their design was specifically to enable elders to practice their memorisation, to teach it and to perform the knowledge for the community according to the various levels of initiation of the audience. Elders memorised the knowledge on which survival, physically and culturally, depended: entire field guides to all the animals and plants, navigational charts, genealogies, laws, resource rights, trade agreements, land management, astronomy, geology … all in memory.

cover-amazon In Knowledge and Power in Prehistoric Societies, I presented ten indicators that a monument was built as a memory space, it was a mnemonic monument. They are listed in decreasing order of importance.

1. A stratified society with no sign of individual wealth or coercion

In the small scale oral cultures I am talking about, the elders maintained their power through controlling knowledge. In all other ways, the societies appear to be egalitarian. Obviously my starting point was Australian Aboriginal cultures, but Native American, many African and Polynesian cultures also fit the scenario.

2. Public and restricted ceremonial sites

The imperative to perform the knowledge repeatedly should leave an archaeological record of both public and restricted performance spaces. Platforms, mounds, enclosed spaces, plazas and even flat-bottomed ditches, can act as suitable performance spaces. Restricted spaces ensure those initiated higher into the knowledge can repeat it in secrecy which effectively avoids the so-called Chinese whispers effect. When dealing with knowledge from generations ago, such as surviving severe resource stresses, accurate retention is essential.

3. Large investment of labour for no obvious reason

All historical and contemporary oral cultures value education and formally educate the young. They don’t learn everything casually while out on a daily gather and hunt or round the campfire at night. There is no society which works that way and so there is no reason to believe that oral cultures in prehistoric times were any different.

Mobile cultures use significant landscape places in order to keep a record of each aspect of the knowledge. They encode it in the landscape. If a society is to settle they must replicate these set of locations in the local area. That is the very basis of the monuments. But there’s a lot more to it than that!

4. Signs of a prescribed order—the Method of Loci

If a monument is a memory space, then there must be a prescribed order to the memory locations so that information is not lost through lack of reference. The ancient Greeks described their locations from their preliterate times: there should be a defined sequence in a location away from distracting passers-by which is well lit, with loci not too much like one another, of moderate size, with a moderate distance between them. My research shows that all oral cultures did this – and we have ample evidence from Australia of a continuous knowledge culture for tens of thousands of years.

Circles or lines of stones or posts, a sequence in the ditches or mounds enclosing open space, or large, non-domestic ‘buildings’ would serve as memory theatres beautifully.

lukasa
An African memory board of the Luba people, the lukasa. This one is in the Brooklyn Museum.

5. Enigmatic decorated objects

Documented oral cultures use a huge variety of memory aids: inscribed stones, notched or decorated wooden sticks or boards, inscribed bark, decorated hides, dance costumes, masks, props, knotted chords, curated human and animal bones, bundles of non-utilitarian or symbolic objects and representations of mythological ancestors on a wide variety of media.

Enigmatic objects found at ceremonial sites which match these patterns add to the argument that the monument served as a memory space.

6. An imbalance in trade

Knowledge is traded in every society I have examined, literate and non-literate. If resources and labour are coming into the site but nothing being manufactured or grown there, then it is logical to assume that it is a place when knowledge is being traded in the form of songs, dances and mythological stories and encoded using a variety of memory devices.

7. Astronomical observations and calendrical devices

Whoever maintains the calendar holds a very powerful role in oral cultures. Detailed astronomical observances were common among complex hunter-gatherers, primarily to maintain calendars and schedule ceremonies. The heavens were also used as memory aids, with characters and stories attributed to stars and planets as it is the case with every society, literate or non-literate.

Astronomical alignments add to the argument that a monument is a memory space.

8. Monuments that reference the landscape

Landscape references are critical as memory markers in the oral tradition of both mobile and sedentary cultures. Not surprisingly, most of the enigmatic monuments around the world make some reference to the much wider landscape.

9. Acoustic enhancement

Songs are far easier to remember than prose; dramatic performances are more memorable than static recitations. Monuments which are designed to aid memory would have structures which enhance singing, chanting and the music for the dances. And it is those songs which encode all the essential practical information.

10. Rock art as mnemonic

We know from historic oral cultures that rock art is often used to aid memory of the stories, songs, chants and other aspects of the knowledge system. Abstract art is far more useful as multiple layers of information can be encoded and secrecy maintained.

______

If an archaeological site demonstrated most, if not all, of the ten indicators given above, then it is logical to conclude that the control of knowledge was a fundamental aspect of the culture which constructed the monument. The elders constucted themselves a memory space. And the most elite of them may well have been buried there.

The launch is happening – June 30

The launch is now available for booking. The end of the long haul is really happening.

I will be giving a talk first on the memory methods and how to apply them in your own life.

launch-ad

So excited!

The Memory Code – Table of Contents

cover-The-Memory-Code-400

The Memory Code is often referred to, by those asking me about it, as ‘your Stonehenge book’. I have no doubt that the ideas about the purpose for Stonehenge will attract much of the attention, but it is only one chapter in 12. So I have put the Table of Contents below so you can see the extent of the book. It covers more ground than Knowledge and Power in Prehistoric Societies, but without all the academic justification.

I have had a great deal of contact in recent weeks from the memory community, including memory champions on three continents! I have also been asked to write an academic essay for Rounded Globe on indigenous memory methods and implications for contemporary thinking. It will be titled Grounded: indigenous knowing in a concrete reality and free for all. This is part of the move for academics to communicate beyond the expensive academic journals and paywalls. Taxpayers pay for the research – taxpayers should have access to it.

The Memory Code will be published in Australia by Allen & Unwin in July, and by Atlantic Books in the UK and Pegasus Books in the US early next year. The audio rights have also just been sold, so I’ll update here when all the paper work has been done. Allen & Unwin are working extremely hard on my book, and I am delighted by everything they have done.

THE MEMORY CODE – TABLE OF CONTENTS

Preface

Chapter 1  –  Encyclopaedic memories of the elders

Chapter 2  –  Memory spaces, large and small

Chapter 3  –  Memory spaces in a modern world

Chapter 4  –  A journey through time

Chapter 5  –  The ever-changing memory spaces at Stonehenge

Chapter 6  –  The megalithic complexes of Avebury and Orkney

Chapter  7  –  Newgrange and the passage cairns of Ireland    

Chapter  8  –  The tall stones and endless rows of Carnac

Chapter 9  –  The unparalleled architecture of Chaco Canyon

Chapter  10  Giant drawings on the desert floor at Nasca

Chapter  11  Memory spaces across the Americas

Chapter  12  Polynesian navigators create a unique world on Easter Island

Epilogue

Stonehenge – they moved their memory palace from Wales!

Thank you to the many people who sent me links to the various reports of this discovery and commented on how wonderfully it suited my theory on the purpose of Stonehenge.

“Stonehenge was a Welsh monument from its very beginning. If we can find the original monument in Wales from which it was built, we will finally be able to solve the mystery of why Stonehenge was built and why some of its stones were brought so far.” Mike Parker Pearson, archaeologist who led the study.

sh-bluestones
Click on image to go to University College London website and the full story.

I could not be more delighted by this discovery. In my recent Cambridge University Press book, Knowledge and Power in Prehistoric Societies, and in my forthcoming book, The Memory Code, I offer a new theory for the purpose of Stonehenge and monuments around the world. The new findings in Wales fit the theory a treat.

My research is on the way non-literate cultures memorized vast amounts of practical information when they had no way of writing it down. All oral cultures used a combination of memory techniques and physical devices – their survival depended on accurate retention of practical information on plants, animals, navigation, genealogies, astronomy and timekeeping, seasonality, resource management, intertribal agreements and so on. The memory technology employed universally is the ‘method of loci’ or the ‘art of memory’, the use a sequence of physical locations to act as a set of mnemonic subheadings to the knowledge system. The information for each location is then stored in song and mythology, stories and dance – all kept in memory.

Stonehenge was built in the transition from a mobile hunter gatherer society to a settled farming community. Mobile cultures used a range of landscape locations to store information, such as the Australian Aboriginal songlines. The ancient Greeks and Romans used their buildings and streetscapes in the same way, attaching information to each location and then recalling it by walking, or imagining themselves walking through their memory sites. Modern memory champions refer to their sequence of locations as memory palaces.

What happened when hunter gatherer cultures started to stay in one place, an essential development if they are ever to farm? They were no longer moving between their landscape locations over the annual cycle but didn’t yet have a built environment. The simplest thing to do was to replicate their landscape sequence locally, such as with a circle of stones or posts.

The original monument at Stonehenge is now considered to have been a circle of stones or posts, possibly the Welsh bluestones. The huge stones in the centre, the familiar sarsens, didn’t come to the monument for 500 years after the first circles.

I have argued in my PhD thesis and both books, that the bluestones were particularly suitable as memory locations because of the variety of textures and colours in their material made them visually so variable which is great for encoding information. I thought that the builders brought the stones and knowledge of the method of loci from Wales.

If Parker Pearson and his team are right, then they brought their entire memory palace!

I could not have hoped for a better development.

 

The Memory Code will be published by Allen & Unwin in July 2016 in Australia and later in the UK by Atlantic Books.

 

The advance copies arrive

arrival-day

The wonderful moment when I first hold the book which represents years of obsessive pleasure.

Thank you to LaTrobe University, my PhD supervisor Professor Sue Martin, Cambridge University Press, family, friends and most of all, my husband, Damian. All that work to get the PhD was so very worth it.