Long corridors as memory palaces

Corridors are perfect to use as memory palaces – once they are decorated in a structured way. So why do we waste the corridors in schools and universities when they could become such valuable spaces? Usually, if there are any decorations, they are just nice pictures or random posters.

I was pointed to the Long Corridor at the Summer Palace in Beijing by a reader of The Memory Code. It is a superb use of a corridor as a memory palace.

Click on the image below to go to the Wikipedia entry about it.

I finally found a book showing the images and simply adore it. This covered walkway is found in the Summer Palace in Beijing. It dates from the middle of the 18th century. At 728 metres long, it is decorated with more than 14,000 gorgeous paintings. These tell stories – the entire structure acting as a sensational memory palace.

Why not use school and university spaces as memory palaces?

Instead of numbering rooms as dull old 1, 2, 3 … why not 5000 BC, 4000 BC, 3000 BC … and use the spaces between for images suiting that time period. Students will recall where they saw Stonehenge, for example, and associate it with the area around 5000 BC. Or number the rooms for the last few hundred years and illustrate more recent events chronologically?

How about naming the rooms by letter a, b, c … and add images for the words in a foreign language? Or new words in English?

Why not have the students do the images in art? All indigenous cultures integrate art as a key component of the knowledge system. Our even include small videos recording songs composed by students to store knowledge? The ever changing display will attract attention.

It is well known in educational circles that taking information in one form, say writing, and adapting it to another form, say images or music, makes it more memorable. You need to concentrate and know the information well to creatively adapt it. The only limits are imagination – and schools all have art and music teachers and a mob of creative types who can help set the imaginations of students on a wild spree.

A memory palace must be structured – not just an array of paintings or a set of songs. Without structure it is just another gallery display.

And while we are at it – why not use the school grounds as memory palaces as well – just like the Australian Aboriginal songlines and Native American pilgrimage trails? And none of this needs funding! We can do all of this within the art and music curricula as well as meeting the requirements for every subject in the school. We just need to stop separating knowledge into neat little packages – we need to integrate it.

But what I really want is my very own Long Corridor just like the one in the Summer Palace. Please!

2018 Australian Memory Championships

I have been very slack in writing this blog. Apologies. I have been finishing my new book, Memory Craft, to be published on June 3, 2019. I have just completed the editing process with my publisher, Allen & Unwin, something I find very stressful and demanding. But it has finally gone to the typesetters. The final manuscript will be sent to me in a week or so for indexing and then it is done. My baby will be sent out into the world.

I competed in the Australian Memory Championships for a second time in November 2018, despite my writing in The Memory Code that I could never do it. But yet again, I found the pressure difficult to handle. By the end of the second day of competition, my brain was mush and my nerves frayed.

The competition was run by the IAM (International Association of Memory) and organised by Tansel Ali. There were ten events, including memorising shuffled decks of cards and long lists of numbers, both integers and binary. We memorised pages of names to match faces, dates of imagined events, images in order and lists of words. And all under strict time limits. It is really high pressure and I don’t handle pressure well at all.

Motoro Ohno

We had international guests, competitors from Japan, China and Indonesia. The entire competition was won by Motoro Ohno from Japan (pictured right).

The Japanese team was led by Takeru Aoki (at right in the picture below). Also part of the team was Hiroshi Abe (on the left).

Hiroshi is a Senior (over 60) and came with the express purpose of competing with me. He is higher in the IAM (International Association of Memory) rankings, and rightly so. But these competitions have a harsh side with the scoring. A mistake in a row of numbers of the suit of a card and you can end up with a score of zero for the row or the card trial. You need to make a decision. Do you go for speed and risk accuracy or take the careful way out and go slower, hoping to be more accurate.

Hiroshi Abe (Japan, Senior), Lynne Kelly (Australia, Senior) and Takeru Oaki (Japan, Open)

Knowing I don’t handle pressure well, I went far slower than I do in training, but was mostly accurate. Hiroshi was faster but had some accuracy slips and ended up scoring a few zeros. But the end of the competition, I had beaten him comfortably. I would not have managed it had he been on form!

I was the top Australian Senior again.

The Australian Memory Champion for the last two years, Anastasia Woolmer, was unable to compete due to illness. I was really disappointed to miss spending time with her again. She would have had tough competition from Zeshaan Khokhar who took the 2018 Australian Memory Champion title.

Lynne Kelly ( Australian, Senior), Zeshaan Khokhar (2018 Australian Memory Champion).

I now do most of my training on Memory League, a really fun way for anyone who wants to start playing around with memory competitions.

You can compete against others at your level, but I just compete with myself. Click on the images to try it out. You need to register but the first levels are free.

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The training screen. There are five events: cards, images, names, numbers and words.

All help for getting started is available through the super-friendly associated forum at Art Of Memory https://forum.artofmemory.com.

The Memory Code in Czech (and a new tag)

I am delighted to announce that The Memory Code is now available in Czech – alongside the English and Chinese editions. Click on the image for the link to this site where there are more details. If I could read Czech I could tell you more.

I eagerly await the day when I will hold a copy in my hand.

I also look forward to being able to get a good resolution on the cover image. All good fun.

Oh, and my publisher has started referring to me as The Memory Whisperer. She is referring to the role I play in the next book, due out in 2019. I wonder if that will stick!

We still don’t have a title for the new book even though it is written and in the editing and production phase. Things move slowly in publishing.